A Swift Spraff with Funk Da Bass.

DJ outfit Funk Da Bass (aka Darren Lee and Dr Frost) are nothing if not turntablist veterans of the Ones and Twos. The Ceux et Deux. The Unos y Dos. The 部分和兩. Look, what I'm trying to say is that they like to rip it up like a scratch card. We met in a discreet darkened dungeon hidden beneath the boating lake in Abington Park. For security reasons.

Why Funk Da Bass?

DL: "The name reflects our passion for all music and we never put ourselves into a category. From one end of the scale we might play a funky house set, at the other end, a D&B set. The concept of Funk Da Bass is to mix all styles of dance music together in one session - to create an exciting blend of music."

Ah, good old D&B. Personally, I guzzle at least two litres of the glorious brown nectar every night (usually of the Happy Shopper variety). What's with the puzzled look? I'm talking about Dandelion & Burdock which I assume they are, of course..? 

So, how long have you been in the industry?

DL: " Twelve years and counting."

And what shenanegizzles were going down ten years ago?

DL: "In total ecstasy, puttin' on my raving shooz. We danced all night."

Okay, sounds nice an' easy, somehow cheesy. Heads on the block time then gents, favourite tune ever?

DF: "Most definitely a tough one... 'Tainted Love' by Soft Cell?"

DL: "Definitely not that one. Too many to choose."

'Tainted Love' sounds like an obvious choice to me, what with its syncopated, 1980s-stylee, tonne-eighty BPM Jungle breakbeats and skanky-filth, low-range frequency bass wobble-fest. Although, having said that, I might be thinking of a different tune.(?) 

Come on then, give us your most delectable record purchase:

DL: "'Some Justice' by Mickey Finn and Aphrodite. For a fiver."

DF: "Every one except the one I've just sold to Darren."

(Now check how I've lured them in before flipping this shit upside its own head with skills.)

Now to the serious business then... Give up your most dismally ill-judged vinyl purchase ever. Come on lads, spill the beanage..:

DF: "'I Think We're Alone Now' by Tiffany, 12". Yeah. It rocks."

DL: "I've just bought a Debbie Gibson tune off Frost for a penny. Cool."

Although I've never met you before, you never seem to age. What's your secret?

DF: "I've always looked old, right from the start."

DL: "Jack Daniels and dancing."

What's been the most memorable gig so far? If you can remember.

DF: "Covering The Rat Pack and Nicky Blackmarket's set at Helter Skelter."

DL: "There was one particular night we played at the Roadmender - I say we, but Frost was having trouble both seeing or hearing for certain reasons. The crowd had fun."

Namecheck some gigs/venues where you've rolled like a Cooper's Hill cheese wheel:

DL: "Fuel, Hysteria, Liquid, Helter Skelter, Club Pluto, Break-Up, B2M, Strictly Drum n Bass, Rage, and er, too many pubs and parties under bridges or in barns to mention."

What about projects for the future, assuming we have one?

DL: "We're concentrating on two main club nights at the minute - VIP House, where we've just got a residency and a big new monthly Drum n Bass night that's soon to be launched in Northampton. Check press for details. Apart from that, we're also working on some new tracks in the studio."

If your TV was jammed on one program forever (which is a technical and logical impossibility) which joyous slab of gogglevision would you be as chuffed as a tank engine with?

DF: "Shameless."

DL: "*NTV's Search For A Star."

*For the benefit of readers in, I dunno, say Hollywood or New York or Paris or Ouagadougou, wherever, NTV is the acronym for Northampton TeleVision, a somewhat maverick channel which by all accounts can never be accused of squandering its budget. 

And finally, if you were both marooned on a desert island with just one item (which technically and logically could happen but in all honesty is incredibly unlikely, especially if it happened to the boys independently and not in the same mishap), what would it be?

DF: "An aeroplane."

DL: "A pilot."

Jamfoolery.

An Interview with Robert John Godfrey of The Enid

Having been assigned the job of interviewing Robert John Godfrey, I was filled with a sense of excitement and anticipation. I knew that The Lodge Recording Studio was his baby and I also knew that he was the founding member and keyboard maestro behind legendary eclectic prog-rockers The Enid, but not a great deal about the man himself. I had vague visions of a reclusive Syd Barrett type - mysterious, aloof, wizard-like. I was looking forward to hearing what he had to say about the town, tunes and trends. He did not disappoint.

On arrival, I was lead to a studio room upstairs above The Lodge where I found Robert playing a beautiful ebony grand piano that looked like it had been fashioned from Kubrick's monolith. It was the perfect start.

He indicated for me to sit down, and before I'd really finished asking my first question about his upbringing, he very succinctly summed up twenty years or so in about twenty seconds:

'I was born in a castle and brought up by Indian servants. I came from a rich, aristocratic background of the late 40s/early 50s. I er, went to boarding school. Fucked up there. Was put into care. Learnt to play the piano. Went to the Royal College Of Music to learn to be a concert pianist... I then discovered acid and The Beatles.' Phew.

By the age of fifteen he had already performed the Brahms concerto. At RCOM he went on to establish a close relationship with German composer Hans Werner Henze, Michael Tippett and Benjamin Britten, whilst studying under concert pianist Malcolm Binns. Next, he worked with Barclay James Harvest after hearing them at the Roundhouse in London:

'I was with them for two years and that's where I learnt everything about recording (which is still relevant today) at Abbey Road Studios, where I did two albums with Pink Floyd producer Norman Smith - with whom I went on to have a long association with.'

The Enid was born in June 1973 and they released their debut album 'In The Region Of Summer Stars' on EMI in 1976. They've been described as the biggest cult band in Europe; banned by Glastonbury; investigated by MI5; and dubbed leftists and anarchists.

More recently, Time Out described them as 'The Orb meets Pink Floyd meets The Berlin Philarmonic.' The fatty-boombatty fraternity are twitching with exitement. These are the kind of comments that you yearn for as a group. A mythology that eventually writes itself. The band have notched up several albums and line-up changes since, but throughout their entire history Robert John Godfrey has remained the focal point:

'I formed The Enid in '73, which was the ragtag of the remnants of my care-home. When it closed I thought right, I'm a musician, let's have a band. So I formed the band with the lads there. We hadn't got homes to go to and had to do something with our lives. And I've been doing that one way or another ever since.' They intend to get back out onto the concert platform very soon.

The Enid currently features Robert, original drummer David Storey and a crop of younger musicians. They have a record deal with the Gerald Palmer Organisation (responsible for Spiritualized).

One of Robert's other passions is The Lodge Recording Studio on Abington Square in Northampton, which he runs with Chief Engineer Max Read. It offers excellent facilities, with the latest technology and digital recording techniques sat neatly beside classic equipment. The studio was moved to Northampton in 1993 after being relocated from the outskirts of the town. It was originally established in the Suffolk countryside in 1979 and seen artists ranging from Kim Wilde to New Model Army to Paradise Lost pass through its soundproof doors (plus local bands including The Departure, Orwell Music, Cave, et al).

Current residents in the living quarters of The Lodge are upcoming local band The Operatives, and they're causing more than a ripple of excitement in the local music scene at the moment. Robert's praise for the recent Seen Magazine feature band couldn't be higher:

'They came into our lives about five years ago, really as unmanageables. They were chaotic but brilliantly gifted. They have the spirit of Frank Zappa, but from a punky-indie background, with all the imaginative stuff. They need the freedom to develop. They've almost finished recording their first album... They will be massive.'

Robert inspires confidence. It was good to hear such a candid and articulate speaker on issues ranging from his own fascinating past to his in-depth knowledge of the town's history (just not enough room to print it all here), but he speaks most passionately about music and the scene in Northampton:

'I've got to the point now where I believe that this town is bloody brimming with talent but there's absolutely no interfacing whatsoever with the music industry. The town needs a place like The Square in Harlow, which is council-run. They've got a video suite, a recording studio and can stage high profile bands. We've got nothing like that in this town and it's a great pity. I want to do something about it... I would like to send a message to the musical community of Northampton to have more self-belief. There's a cracking potential in this town and it's really happening now.'


I insist you check out more @ http://www.theenid.com/ and http://www.lodgerecording.co.uk/

The Roadmender: Beyond Repair?

On the evening of November 10, more than 150 people congregated at The Roadmender for a public meeting to discuss the venue's future. Tellingly, not one single member of the Conservative County Council cabinet, those responsible for the outcome, could be bothered to turn up.

Despite having the clout of showbiz radio-types Jo Whiley and Andrew Collins, who put their names to the Save Our Roadmender petition, alongside six and a half thousand other of us more lowly music fans (and regular venue users), on Monday, November 14, the cabinet voted to withdraw its funding from early next year.

The Roadmender was receiving around £140,000 from local council grants - £58,230 of which came from Northampton County Council annually. In April this year, the East Midlands Arts Council announced that it was withdrawing its funding which accounted for %40 of the venue's grant income. This becomes effective as of April 2006, which means that The Roadmender will probably have to close its doors for the last time before Christmas. Seasons' greetings to the town's youth from a contemptuous council.

A recommendation was made to cabinet for the council to end its financial commitment to the venue and work alongside trustees to help secure grants and sponsorship from other organisations.

Does this strike anyone else as being a little like stealing a kid's BMX and then offering him/her to hop onto their own stunt-pegs for a trundle down to the local Halfords? Sheesh.

Cabinet member for Community Services, Councillor Rosemary Bromwich has stated that, '..all our investigations and debates come back to the same point - this money would be better invested in other cultural activities and projects for young people.'

As for which ones? Hmm?

A beach at Sixfields? Maybe a simulated lunar surface in Jimmy's End? Well, you try and find out. She also cites other problems with the venue: poor pedestrian access, lack of parking availability, safety issues due to its location next to a dual-carriageway, etc. Now I genuinally don't want to be a pedant but these objections just don't stand up to close scrutiny.

Since when did a 5 minute walk from the town centre constitute poor pedestrian access or is there a pool of quicksand somewhere along the journey that I've somehow overlooked? Are there wild beasts to be dodged - lions, crocodiles, maybe even velociraptors?

A lack of parking availability? Forgive me, but is there not a council-owned, multi-storey carpark directly opposite the venue? It's the big, grey, oblong-shaped, tiered structure. You know, some kind of garagey, parking-lot type of affair.

I think it's called the Mayorhold. I assume there's no way that council departments can work together to solve this tricky strategic problem? Besides, the kids who attend the alcohol-free nights at The Roadmender don't drive there. They get dropped off by their parents.

The venue is also located next to a duel-carriageway. By sheer coincidence it is also sited directly adjacent to a pedestrian-crossing that traverses said dragster-alley. This 'duel-carriageway' is in the middle of the town centre and with the sheer profusion of traffic lights, the labyrinthine one-way system and spawning speed cameras every 100 metres it seems unlikely that Doc Emmet Brown and Marty McFly would have selected it to pick up the required speed of 88mph needed to coincide with a bolt of lightning due to strike the wonky weather vane atop of Northampton's Best Kebab House at the bottom of Gold Street on the morning of Friday, October 25, 1985.

1.21 Gigawatts? Great Scott!

Jon Gloerson, interim Chief Executive of The Roadmender says they are repaying their debts on time and that the balance is rapidly decreasing. They are in the middle of a turn-around operation where trading deficits have been reduced by £60,000 from 2002/03 to 2003/04. He goes on to say that in 2004/05, The Roadmender broke even and the financial projections for 2005/06 point to the accumulation of a surplus which would help to alleviate the Arts Council funding shortfall.

The council isn't interested.

Mr Gloerson also says that they have been approached by a number of possible new partners. Let's hope so.

There's a venue in Harlow, Essex called The Square which is funded by Essex County Council and managed by Essex Youth Service through its Harlow Locality. They have seen the likes of Blur and The Beta Band put on performances there, just as we have at The Roadmender. The Square has an extensive programme of live-performances, video and recording facilities, and a Rock School among many other ongoing projects. They receive funding from the Arts Council (East), the regional Arts Lottery Programme and the European Social Fund.

Sadly, what's good enough for the youth of Harlow isn't good enough for the youth of Northampton.

Do you know how much 45 minutes of Mr Droning Keating cost our council at this year's Balloon Festival?

Trust me, you really don't want to.

The Operatives - 'Wait No More'

Innovative and wildy-original new young band hailing from Kingsthorpe announce details of debut album Wait No More and live show. If anyone's going to put Northampton on the musical map, it's these sketchy fruits - they're a bit special.

The Operatives have been making ripples on the music scene in Northampton for a few months now, but up until recently had remained something of an enigma. There was the odd magazine article about them and every now and again a song would surface on one band/music website or another, offering a real tempting-taster for anyone who was lucky enough to stumble across them, but they weren't playing all the usual pubs and venues on the live-circuit, so this elusiveness only added to the mystique. This, apparently, is all about to change. They are ready to make a belly-splash landing with the release of their debut album Wait No More and have just announced details of their first(ish) live gig at the refurbished Rockinghorse (back room of The Racehorse) on Abington Square in early February.

The Operatives are the twisted brainchild of Matt White and Ali Hart, two abundantly talented multi-instrumentalists from the 'orpe - I'll resist emphasising the 'mentalists part... Shit, I just did. They are both in their early 20s and have been been writing and playing together in various bands for over 6 years before settling into their current guise. Their prolific writing style has seen them pen over 200 songs, 14 of which make the final cut of the album. The live-incarnation of The Operatives features Jason Ducker on bass, Max Read on keyboards and David Storey on drums.

At the tail-end of last year, The Operatives were nominated in 2 categories at the BBC Weekender Awards for Best New Act and Best Song (for Giro Day); they were inventively described as being unpigeonholeable - hey it's a new genre.

Album tracks Vuman, Giro Day and Vultures have all been aired on BBC Radio Northampton's Weekender show in recent months and can be listened to again online at www.bbc.co.uk/northamptonshire.

You can also check them out on the highly-respected www.garageband.com, where rising musicians get feedback and exposure for their material. Songs posted on the site are given a star-rating out of 5 by empowered, independent musicians/music lovers, and Giro Day gained an impressive 4-stars from a notoriously-tough, anonymous reviewing-rabble. The band can also be found online at www.myspace.com/operatives where you can listen to, and comment on songs, or make a friend request to be on their buddy list.

Working under the wing of BandTherapy Management, The Operatives have recently finished recording their eagerly-awaited debut 14-track long-player called Wait No More and it's bursting with joy.

It was produced and engineered at The Lodge Recording Studio by Max Read and the band themselves, and is an outrageously, infectious trip through Matt and Ali's warped musical minds - with the blackest of humour skipping happily throughout its 45-minute duration. At times sounding unhinged, the vocal-harmonising ranges from bright and brash falsetto to the darkest, most satisfying of growls. There are sweet-mangled melodies, killer chainsaw-riffs and pulsating drums that drive the songs precariously along a cliff-edge, occasionally veering off, only to land on a lower ledge (platform-game style) with a trail snaking back to the top again.

And higher.

There are laugh-out-loud lyrical exchanges between Matt and Ali that are always the right side of novelty and their versatility and technical skills seem effortless; the tempo-changes deliciously unexpected.

The songwriting is incredibly accomplished, beautifully contorted and peppered with the most addictive of ingredients.

At this moment in time, The Operatives are the most exciting band in town and are surely destined for bigger things...

It's time to put the vibrant Northampton scene on the melodious map and no other band are more obvious pioneers.

• The Operatives have also announced that they will be playing their 'debut' gig on the opening night of BandTherapy's brand new live-music extravaganza, Operation Thursday on February 2, at the newly-renovated Rockinghorse. The line-up also includes, The Retro Spankees, The Phil Collins 3 and Faye Gibson. Doors open at 8pm. Admission £4. It will at last give music fans the chance to check out BandTherapy's Robert John Godfrey and Max Reads' interior-decorating skills, but more importantly, the brand new, state-of-the-art PA and lighting facilities. The Rockinghorse has been transformed into one of Northampton's premier music venues that will be to the benefit of all who play there in the future.

• http://www.myspace.com/operatives